Abstract

This study aims to spell out the underlying principles of Amal Donguls rejectionist and explicate its active role in the process of creativity . Despite the difficulty, if not the impossibility, of separating ideology from art, which are dialectally related in criticism, this study will gave priority to the artistic aspect of rejectionist over the ideological aspect by inquiring into the essence of creativity in rejectionist, because the poeticalness of Amal’s rejectionist was not overridden by ideology or politics; rather it remained throughout his advanced artistic vision a manifestation of creativity.